Daniel Kraus

Dracula

Fiction

“Though not as revelatory as Beowulf: A Tale of Blood, Heat, and Ashes (2007), Raven again successfully abridges a vaunted classic. His Count Dracula is mostly a noncharacter—a blond-haired presence who utters but a few lines of dialogue. Bucking current trends, the focus is instead on the friends who band together to take out the vampire. Raven does a great job fleshing out characters that even in Stoker's original felt bloodless; blokes like Holmwood and Seward finally hold their own against the likes of Van Helsing (depicted as a head-shaved and bespectacled badass). The choice to abandon Stoker's dependence on journal entries is a smart one; in fact, the two times Raven employs the device, the font makes for uncomfortable reading. Gilbert's gothic drawings, the crosshatches of which often conceal layers of spooky elements, are a perfect fit for the somber tone. Today's teens will be hard-pressed to gasp at bat transformations and missing reflections, but this will certainly whet appetites for the full Bram—and in fewer than 100 pages.”

The Last Thing I Remember

Fiction

“Charlie is a squeaky-clean high-schooler who gets good grades, dreams about joining the Air Force, and loves practicing his karate—and it’s this last skill that comes in especially handy when he wakes up tied to a chair next to a tableau of torture instruments. In an attempt to understand how he landed in such dire straits, he flashes back to the last thing he remembers: a seemingly typical day at school. So begins the fantastic first half of this post-9/11 thriller in which each bit of recovered memory directly informs how Charlie deals with his mysterious captors. The excitement plateaus once Charlie escapes and realizes that he’s wanted by more than just a band of terrorists, but the chase scenes, gunfire, and fistfights never let up. The rah-rah patriotism may put off some readers, particularly given Charlie’s apparent unwillingness to moderate his black-and-white views. On the other hand, this is just the first book in the Homelanders series, so there is still plenty of time for Charlie to develop shades of gray. Grades 8-11.”

The Long Way Home

Fiction

“Best of all, unlike many second chapters, this one pays off with some seriously heavy revelations.”